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Bad Tales movie reviews & Metacritic score: A few families living out on a limb in the suburbs of Rome. The family includes her cousins Alessia (Giulietta Rebeggiani) and Dennis (Tommaso Di Cola), who are forced to read their report cards out loud at a family dinner. As “Bad Tales” unfolds, it becomes clear that they are serving up pessimistic impressions of childhood with little sense of continuity. 5-min read. Its weakest link is on the narrative level — or maybe it intentionally, if unwisely, aims to frustrate easy understanding of who its characters are and what they’re up to. Bad Tales luxuriates in youthful indescretion and adult despondency in a way all to familiar. Goto [ Index] Grim Tales is an unusual product designed for use with the d20 system. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. Times Tales is a mnemonic aid, helping the child to remember the tables via simple stories. That’s the central thesis put forward in Italian drama Bad Tales by the D’Innocenzo siblings. It’s telling that, for all its welcome darkness, these Bad Tales are troubling, sure, but also easy to shake off come bedtime. Bad things have happened, are happening, and will happen. With their entry in the long-running mix series Late Night Tales, the Canadian band BADBADNOTGOOD offer an eclectic, uncompromising, and delightful “soundtrack for … TWITTER All rights reserved. Review of Grim Tales. But there’s nothing banal about the filmmakers’ vision or the power of the lensing, intriguing atmosphere and acting, elements that may help it win festival prizes. Not a setting, or a sourcebook tied to a particular era or genre, but a “rules resource and campaign toolkit” to run games with a pulp feeling. For a tragedy to register as tragic, we typically have to feel some emotional connection to the victim(s), whereas “Bad Tales” lacks a clear point of view, surveying all of its characters with a degree of contempt. An anthology of sadness and sadism in a sunny suburb of Rome, focusing on a few impressionable children. On the other hand, while there is a sly humor that carries the day for more sophisticated viewers, regular audiences are going to be faced with some very depressing portraits of young teens living outside Rome, whose sad fates could well be judged under-motivated. If the D’Innocenzo brothers, Fabio and Damiano, were the new boys on the block when their realistic crime drama Boys Cry (La Terra dell’Abbastanza) bowed in the Berlin Panorama in 2018, they reach another level of maturity in this suburban noir. What if stories literally became our daily bread and butter? Executive producer: Salvatore Pecoraro The duo’s off-putting characters are distinctly Italian, while the milieu may well have been lifted from American independent cinema of the late 1990s — movies like “The Virgin Suicides” and “Happiness” — or literature from many decades earlier, à la James Agee’s “Knoxville: Summer of 1915” or (per the press notes) Edgar Lee Masters’ “Spoon River Anthology.” The D’Innocenzos are photographers and poets by training, steering by intuition as they adapt to filmmaking, and given their background, the gallery work of David Lynch and Gregory Crewdson was probably an influence as well. An explosion of droll talent in one wild, impressionistic ride. Contains a moral message about how a lack of human indecency can be universal. | California Privacy Rights At a surprise party for his daughter, a randy Italian homeowner studies a neighbor’s wife through the sliding glass door and describes all the ways he’d like to violate her. The Reviews Hub - London 13/10/2020. Bad Tales 2020 ★★½ . Producers: Agostino Sacca, Giuseppe Sacca There is a strong feeling of place created around the little row of houses surrounded by manicured lawns, which veteran cinematographer Paolo Carnera and three production designers turn into a fantasy space that is, appropriately, never quite real. Four emotionally stifled suburban kids on the cusp of puberty struggle to adapt to the banality of their parents’ world in the very off-beat, slow-starting Bad Tales (Favolacce). They both have gotten straight A’s. It’s a grim view dramatized in Fabio and Damiano D’Innocenzo’s sleek 2018 debut, “Boys Cry” — a largely nocturnal, fluorescent-lit cautionary tale in which two unfledged gangsters turn a fatal hit-and-run into an audition for a life of crime — and one that’s passed like a case of head lice to the white-picket sanctuary in their sun-crisped sophomore feature. 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